Selected Bibliography
(Please refer to biography for exhibition catalogues)
Artist
book / monographs
Chong, Jonathan, “Web Reviews: Mekong — New Mythologies”, Art Asia Pacific, May 2017.
Wong, Phoebe, “Recalcitrantly Yours: Histories, Truths, and Myths of the 1967 Disturbances”, Yishu, vol.16, no.3, May/Jun 2017, pp.51-66.
Dickersbach, Safia (ed), Protocollum 2016/17: Global Perspectives on Visual Vocabulary, Berlin: Dickersbach Kunstverlag, 2016, pp.130-133.
Yam, Justina, “Web Reviews: That Has Been, and May Be Again”, Art Asia Pacific, Jul 2016.
Li, Qi, “That Has Been, and May Be Again” (Chinese), Artforum (Chinese edition), Jun 27, 2016.
Tsui, Enid, “Hong Kong show of underground 1990s Chinese art offers different perspective on era”, South China Morning Post, Jun 23, 2016.
Lu, Carol Yinghua, “Words about Memories but Not Exactly: On Leung Chi Wo’s Artistic Practice”, Yishu, vol. 15, no. 3, May/Jun 2016.
Rosenmeyer, Aoife, “EVA International: ‘Still (the) Barbarians’”, Art Agenda, Apr 25, 2016.
Lu, Carol Yinghua, “Review: Figures of Speech”, Frieze Magazine, April, 2016, p.153.
Zhang, Jing, “Hong Kong film’s golden era shown in Shanghai photo exhibition”, South China Morning Post, Jan 23, 2016.
Xuan Zi, “Now how to read portraits” (Chinese), Art 289, Jan-Feb 2016.
Liao, Fangzhou, “Caught in context”, Global Times, Jan 12, 2016.
Tsai, Sylvia, “Web Review: Tracing Some Places—Leung Chi Wo”, Art Asia Pacific, Jan 2016.
Fallen, Katie, “A conversation with Leung Chi Wo”, Ocula Magazine, Jan 4, 2016.
Chan, Vickie, “Tracing Places: Leung Chi-Wo and Hong Kong’s Histories”, Zolima City Mag, Dec 17, 2015.
Wee, Darryl, “Leung Chi Wo Opens Solo Show at The Mills Gallery”, Blouin Art Info, Nov 30, 2015.
Smith, Karen, “Names for the Self, Shapes for the World: Leung Chi Wo”, Leap, Jul/Aug 2015, pp.76-83.
Li, Christina, “Reviews: Leung Chi Wo, OCT Contemporary Art Terminal, Shenzhen”, Artforum, September 2015, pp.
Li, Bowen, “Review: Leung Chi Wo, OCAT/Shenzhen”, Flash Art, no. 303, Jul/Aug/Sep 2015, pp.122-123.
Wong, Phoebe, “Review: Museum of the Lost”, A.M. Post, no. 115, Jul/Aug, 2015, pp.104-105.
Lin, Ming, “Leung Chi Wo + Sara Wong: Museum of the Lost”, LEAP, July 8, 2015.
Chen, Li, “Leung Chi Wo at OCAT Shenzhen”, Art China, no.114, June 2015.
Zeng, Wenqi, “Leung Chi Wo’s Non-linear Narrative”, The Stand News, Jun 8, 2015.
Leung, Po Shan Anthony, “Remaining From The Translation: A Review of Leung Chi Wo’s OCAT Shenzhen Exhibition, ‘Press the Button…’”, ARTCO, no.273, May/Jun 2015, pp.142-143.
Liu, Xujun, “Leung Chi Wo: Press the Button, a survey exhibition”, Artforum (Chinese edition), May 4, 2015.
Albrecht, D., Schmid, A. & Zoitl, M. (ed), Dreams of Art Spaces Collected, Berlin: Revolver Publishing, 2015, pp.105-115.
Rappolt, Mark, “Leung Chi Wo & Sara Wong: Museum of the Lost”, Art Review Asia, vol.3, no.2, May 2015, p.96.
Seethepalli, Vasavi, “Web reviews: Museum of the Lost: Leung Chi Wo + Sara Wong”, Art Asia Pacific, April 2015.
Van Leeuwen, Kitty, “Web reviews: Leung Chi Wo”, Art Asia Pacific, June 2014.
Lim, William, The No Colours, Hatje Cantz, 2014, pp.84-87.
Cheung, Sheryl, “Reviews: Great Crescent: Art and Agitation in the 1960s
— Japan, South Korea, and Taiwan”, Flash Art, Jan/Feb 2014, p.107.
Cheung, Ysabella, “Review: Great Crescent”, Time Out Hong Kong, Dec 11, 2013.
Bailey, Stephanie, “Reviews: Leung Chi Wo, 2P Contemporary Art Gallery”, Artforum, September 2013, p.431.“Leung Chi Wo at ISCP”, NY Arts Magazine, Feb 23, 2013.
Murray, Anne, “Absurdistan: A country of its own, Shanghai”, The Flaneur, Mar 27, 2013.
Dawson, Kelly Chung, “Recalling the voice of the past, in the present”, China Daily, March 1, 2013.
Ha Thuc, Caroline, “Origins of a Renaissance”, Art Press, Nov 2012, pp.41-47
Lee, Edmund, “Leung Chi-wo”, Time Out Hong Kong, May 9-22, 2012, p.19.
Bailey, Stephanie, “Leung Chi Wo: We must construct as well as destroy”, LEAP, April 2012, pp.192-193
“Future Greats: Today’s leading artists and curators select 25 artists for special attention—Leung Chi Wo by Mark Rappolt”, Art Review, Mar 2012, pp.98-99.
AR:HK—An ArtReview Supplement, May 2012, pp.3-4, 27.
Marta, Karen & Philip Tinari (ed), The future will be… China Edition: Thoughts on What’s to Come, Curated by Hans Ulrich Obrist, Beijing: UCCA, 2012, pp.116-117.
Bailey, Stephanie, “Four Discussions with Hong Kong Artist: Leung Chi Wo, Lam Tung Pang, Morgan Wong, and Lee Kit”, Yishu, May/June 2011, pp.72-76.
Ciociola, Chiara, “Culture(s) of copy - Report from Edith Russ Haus”, neural, Mar 21, 2011.
Sanchez Kozyreva, Cristina, “Leung Chi Wo: Hong Kong Art, to be continued…”, Hong Kong Gallery Guide, Mar 2011, pp.43-47.
“Back in the Day: Alternative Spaces in the Early Years”, LEAP, Oct 2010, pp.90-91.
Lee, Edmund, “Reviews: Culture(s) of Copy”, Time Out Hong Kong, July 7, 2010, p.61.
Cheng, Carrie, “Local Flavors”, The Standard, July 9, 2010.
Alemani, Cecilia (ed), I'M NOT THERE: A sourcebook for the 8th Gwangju Biennale, Gwangju Biennale Foundation, 2010, p.260.
Mario Cresi(ed), Future Images, Milan: Motta, 2010,
pp160-161.
June Yap, "Review: Leung Chi Wo at the Goethe-Institut", Asian Art News, May/June 2009,
pp.120-121.
Koon Yee-wan, “Visual Arts: Review Warren Leung”, Muse, Mar 2009, pp.85-87.
Gèrard Henry, “Leung Chi Wo: Asia’s World City”, PAROLES,
Mar/Apr 2009 No. 217, p.22.
Bourree Lam, “HK Sound Station”, TimeOut
Hong Kong, Feb 16, 2009
Lara Day, “In the name of Victoria”, TimeOut
Hong Kong, Jan 5, 2009, p.55.
Vivian Chan, “Preview”, South
China Morning Post, Dec 11, 2008
Clare Morin, “Interview: Leung Chi Wo”, TimeOut Hong Kong, May 2008.
Philip Tinari & Mario Ciampi, Artists
in China, London: Verba
Volant, 2007, pp.379-387, 445
Nadim Abbas, “Review”, ArtAsiaPacific,
No.55, Sept/Oct
2007, p.171.
David Phair, “Home Truth, South
China Morning Post, Mar 27,
2007
Michael Sullivan, Modern Chinese
Artists: A Biographical
Dictionary, Berkeley: UC Press, 2006, p.77
Frank Vigneron, “I Like Hong Kong VI :
Dé/territorialisation au bristrot”, PAROLES, Nov / Dec 2006 No.
205.
Samantha Culp, “Cantonese Accent”, South
China Morning Post, Sept 12,
2006.
Richard Vine, “Report from Guangzhou: Cities on
the Make”, Art in America,
Sept 2006, pp.71-75.
Katie Lau, “Lost and found in space”, Weekend
Standard, Sept 9-10, 2006,
pp38-39.
Jaspar Lau, “No ‘Local’ is an Island”, Yishu, Vol.5, No.2, Summer/June
2006, pp.85-91.
Zoë Shearman, “Reviews”, a-n
Magazine, Mar 2006, p.9.
Kelvin Chan, "From a distance: homing in on what
it means to be a migrant", South
China Morning Post, February 12, 2006.
John Clark, "A Spectacle of Questions", Asian Art News, Jan/Feb 2006,
pp.68-72
Jonathan Thomson, “The Negative Horizon”, Asian Art News, Jan/Feb 2004,
pp.54-59.
Hou Hanru, “The City and the Artists”, Flash Art, March/April 2002,
pp.91-92
Danny Huppatz, “Leung Chi Wo’s Open City”, ArtAsiaPacific, Issue 36,
Oct/Nov/Dec 2002, pp.58-63
Alice Ming Wai Jim, “Notes from Hong Kong”, Flash Art, March/April 2002,
pp.93-94
Danny Huppatz, “Roundup from Hong Kong”, Log Illustrated, issue 15, 2002.
Joan Kee, “Inertia Reels: Mobility in Hong Kong
Video”, Afterimage, Jan/Feb,
2002.
Johan Pijnappel, “Asia At Venice”, Asian
Art News, Jan/Feb 2002,
pp.58-61.
Chang Tsong-zung, “Outer Landscapes And Inner
Dreams”, Asian Art News,
Jan/Feb 2002, pp.65-67.
Monica Dematté, “Chinese Artists at the
Venice Biennale Then and Now”, Chinese-art.com, vol. 4, issue
4, 2001.
Marcia E. Vetrocq, “Biennale Babylon - Venice
Biennale 2001”, Art in America, Sept 2001.
Pat Binder & Gerhard Haupt, “Tour of the
Biennial”, Universes in Universe, June
2001.
John Clark, “Asian Artists at the 2001 Venice”, International Institute for Asian Studies
Newsletter Online, No. 26, 2002.
Chang Ju-ping, “Hong Kong heads to Biennale”, Taipei Times Online, May 8,
2001.
Elaine Ng, “Let's Hear it for the ‘Shanghai
Spirit’!” videotage.org.hk,
2001.
Charis Dunn-Chan, “Asian art flavours Venice
Biennale”, BBC News Online, June 13, 2001.
“Asian Artists in the 49th Venice Biennale”
(Japanese), AsianArt.Net.com, July 2001.
Muriel Rive, “49ste Biennale in Venetie toont
verleidelijke kunst met diepgang”, De Museumkrant, edition 45,
2001.
Hajo Schiff, “Unterbrochene Träume”, Die Tageszeitung, June 19, 2001.
Hilary Binks, “A Larger Identity”, Asian
Art News, Sept/Oct 2001,
pp.70-73.
Josette Balsa, “Biennale de Venise: premiers pas
de Hong Kong”, PAROLES,
Sept/Oct 2001, pp.4-8.
Richard Vine, Report from Shanghai: After
Exoticism, Art in America,
July 2001, p30.
Alice Ming Wai Jim, “Hong Kong Artists at the
Venice Biennale”, South China
Morning Post, June 8, 2001
Phoebe Man, “Contemporary Art in the Venice
Biennale”, PS, No.15, Autumn
2001, p.18.
Jaspar Lau Kin-wah, “From Hong Kong to the World/
from Art Science to Aesthetic Reflections on Hong Kong’s Participation
in the 49th Venice Biennale”, PS,
No. 15, Autumn 2001, p.24.
Franco Fanelli and Jonathan Napack, “The national
pavilions at the Venice Biennale”, The Art Newspaper.com, June
2001.
Aigner, Claudia, “Wolken am Bauch kraulen”, Wiener Zeitung, October 19, 2001.
Clarke, David, “The Culture of a Border Within:
Hong Kong Art and China”, Art Journal,
Vol.59, No.2, Summer 2000, pp.88-101.
Misul Segae
(Korean), Vol. 189, 8/2000, pp.44-47.
Clarke, David, “Para/Site Art Space: Installation
and Cultural Identity in Hong Kong”, Third
Text, No.50, Spring 2000, pp.73-86.
Cotter, Holland, "A Condensed International
Melange", New York Times, May
26, 2000.
Iwasaki, Hitomi, Leung Chi Wo:
Something About City Sky
(exhibition brochure), New York: Queens Museum of Art, 2000.
David, Catherine, Hong Kong: Visual Arts and Visual Culture,
Berlin: Asian Fine Arts Factory, 1998.
Ho, Tom, “Art Site in Sheung Wan”, Varsity,
Jan. 1999, p.24.
Bragge, Anita, “United but apart”, Herald
Sun, Melbourne, May 25,
1998.
Simmons, April, “State of the Arts”,
Eve, Apr. 1998, pp.55-60.
Cairns, Alice, “Light falls on Leung”, South China Morning Post, March 13,
1998.
Nadel, Alison, “A Site for Building a New
Identity”, Asian Wall Street Journal,
Sept. 19, 1997.
Cheng, Scarlet, “Light of modern day burns away
the dark”, South China Morning Post,
Sept. 7, 1997.
Ho, Oscar, “The Long Road Back Home”, ArtAsiaPacific,
Aug. 1997, pp.49-53.
Bonduelle, Scarlett R., “Para/Site Manifeste dans
la Ville”, PAROLES, Jul.
1996, pp. 8-11.
Williamson, Linda, “Avant Guards”, HK
Magazine, Jan 26, 1996, pp.9-11.
To, Hiram, “Trip down memory lane”, South
China Morning Post, Jan 18,
1996.
Au, Desiree, “Installation artists find
inspiration in derelict Western building”, Hong Kong Standard, Jan 5, 1996.